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Bridge at Arles (Pont de Langlois)
Vincent van Gogh
Article nr
KM002CAP
BEFORE YOU BUY WATCH THIS VIDEO to see how we make your masterpiece
This reproduction on canvas of Bridge at Arles (Pont de Langlois) by Vincent van Gogh is made in close cooperation with the Kröller-Müller Museum, where the original painting is hanging in the Van Gogh Gallery.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
Gallery wrap 2 cm: Watch this video to see how we make your reproduction. The canvas is stretched by hand on two centimetres thick wooden stretcher bars. The term "gallery wrap" refers to an image that appears on the sides of the stretcher bars as well as the front.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
Gallery wrap 4,5 cm: Watch this video to see how we make your reproduction. The canvas is stretched by hand on 4,5 centimetres thick wooden stretcher bars. The term "gallery wrap" refers to an image that appears on the sides of the stretcher bars as well as the front. This canvas hangs strong and bold on your wall and does not need a frame.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
Classic with nails: Watch this video to see how we make your reproduction. After stretching the canvas on 2 cms thick stretcher bars, we finish the sides in a traditional way. We use custom-made nails and hammer them in by hand for that old fashioned look.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
About the original:
Vincent van Gogh (1853-1890), Bridge at Arles (Pont de Langlois) 1888, Oil on Canvas, 53.4 x 64 cm, Collection Kröller-Müller Museum.
Giclée printing: Watch the video
We print the reproductions on museum-quality canvas of 380g. Printing a Giclée is done with the utmost precision. The HDR inks are sprayed on the canvas layer by layer, with 800 nozzles per colour x 10 channels for a total of 8000 nozzles. This technique guarantees over 100 years of colour permanence. The end result is characterized by great fineness and image depth, very high sharpness, detail and deep colours.
Varnish: Watch the video
We then apply several coats of varnish by hand to make the colours come to life and to protect against moisture and UV light. The canvas is stretched by hand on stretcher bars made with timber from sustainable forestry.
Want to save on shipping costs? Watch the video
We can also deliver your canvas unstretched, rolled-up and placed in a tube for shipping. See here how we package your reproduction. For more information and prices contact us.
Can’t find what you’re looking for?
All reproductions are custom made in our Amsterdam studio. If you are you looking for a specific artwork, a special frame, or you want a different size, feel free to contact us.
About the original artwork
Bridge at Arles (Pont de Langlois)
In early 1888, after staying in Paris for almost two years, Vincent van Gogh has had enough of the city. He wants to return to the countryside. Artist friends tell him about the south of France, the land of the blue tints and cheerful colours, and he decides to make Provence his next destination. It proves to be a good choice: I've never had such good fortune; nature here is extraordinarily beautiful. Everything and everywhere.
The dome of the sky is a wonderful blue, the sun has a pale sulphur radiance, and its soft and charming, like the combination of celestial blues and yellows in paintings by Vermeer of Delft. Fairly soon after arriving in Arles, Van Gogh paints different versions of the drawbridge just south of the town: four paintings, two drawings, a watercolour and a sketch. This painting has a dynamic composition. The canal forms a diagonal that carries the total image. This leads the eye toward the bridge and the covered wagon that crosses it. In early 1888, after staying in Paris for almost two years, Vincent van Gogh has had enough of the city. He wants to return to the countryside. Artist friends tell him about the south of France, the land of the blue tints and cheerful colours, and he decides to make Provence his next destination. It proves to be a good choice: I've never had such good fortune; nature here is extraordinarily beautiful. Everything and everywhere.
The dome of the sky is a wonderful blue, the sun has a pale sulphur radiance, and its soft and charming, like the combination of celestial blues and yellows in paintings by Vermeer of Delft. Fairly soon after arriving in Arles, Van Gogh paints different versions of the drawbridge just south of the town: four paintings, two drawings, a watercolour and a sketch. This painting has a dynamic composition. The canal forms a diagonal that carries the total image. This leads the eye toward the bridge and the covered wagon that crosses it.
Vincent van Gogh (1853-1890), Bridge at Arles (Pont de Langlois) 1888, Oil on canvas, 53.4x64cm, Collection Krӧller-Müller Museum.
In early 1888, after staying in Paris for almost two years, Vincent van Gogh has had enough of the city. He wants to return to the countryside. Artist friends tell him about the south of France, the land of the blue tints and cheerful colours, and he decides to make Provence his next destination. It proves to be a good choice: I've never had such good fortune; nature here is extraordinarily beautiful. Everything and everywhere.
The dome of the sky is a wonderful blue, the sun has a pale sulphur radiance, and its soft and charming, like the combination of celestial blues and yellows in paintings by Vermeer of Delft. Fairly soon after arriving in Arles, Van Gogh paints different versions of the drawbridge just south of the town: four paintings, two drawings, a watercolour and a sketch. This painting has a dynamic composition. The canal forms a diagonal that carries the total image. This leads the eye toward the bridge and the covered wagon that crosses it. In early 1888, after staying in Paris for almost two years, Vincent van Gogh has had enough of the city. He wants to return to the countryside. Artist friends tell him about the south of France, the land of the blue tints and cheerful colours, and he decides to make Provence his next destination. It proves to be a good choice: I've never had such good fortune; nature here is extraordinarily beautiful. Everything and everywhere.
The dome of the sky is a wonderful blue, the sun has a pale sulphur radiance, and its soft and charming, like the combination of celestial blues and yellows in paintings by Vermeer of Delft. Fairly soon after arriving in Arles, Van Gogh paints different versions of the drawbridge just south of the town: four paintings, two drawings, a watercolour and a sketch. This painting has a dynamic composition. The canal forms a diagonal that carries the total image. This leads the eye toward the bridge and the covered wagon that crosses it.
Vincent van Gogh (1853-1890), Bridge at Arles (Pont de Langlois) 1888, Oil on canvas, 53.4x64cm, Collection Krӧller-Müller Museum.