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The Orchard
Théo Van Rysselberghe
Article nr
KM042CAP
BEFORE YOU BUY WATCH THIS VIDEO to see how we make your masterpiece
This reproduction on canvas of The Orchard by Théo Van Rysselberghe is made in close cooperation with the Kröller-Müller Museum, where the original painting.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
Gallery wrap 2 cm: Watch this video to see how we make your reproduction. The canvas is stretched by hand on two centimetres thick wooden stretcher bars. The term "gallery wrap" refers to an image that appears on the sides of the stretcher bars as well as the front.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
Gallery wrap 4,5 cm: Watch this video to see how we make your reproduction. The canvas is stretched by hand on 4,5 centimetres thick wooden stretcher bars. The term "gallery wrap" refers to an image that appears on the sides of the stretcher bars as well as the front. This canvas hangs strong and bold on your wall and does not need a frame.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
Classic with nails: Watch this video to see how we make your reproduction. After stretching the canvas on 2 cms thick stretcher bars, we finish the sides in a traditional way. We use custom-made nails and hammer them in by hand for that old fashioned look.
We handcraft all reproductions in our Amsterdam studio. Are you looking for a specific artwork, a different size or a special frame? Contact us.
About the original:
Théo van Rysselberghe (1862-1926), The Orchard 1890, Oil on Canvas, 115.5 x 163.5 cm, Collection Kröller-Müller Museum.
Other work from Théo Van Rysselberghe
Giclée printing: Watch the video
We print the reproductions on museum-quality canvas of 380g. Printing a Giclée is done with the utmost precision. The HDR inks are sprayed on the canvas layer by layer, with 800 nozzles per colour x 10 channels for a total of 8000 nozzles. This technique guarantees over 100 years of colour permanence. The end result is characterized by great fineness and image depth, very high sharpness, detail and deep colours.
Varnish: Watch the video
We then apply several coats of varnish by hand to make the colours come to life and to protect against moisture and UV light. The canvas is stretched by hand on stretcher bars made with timber from sustainable forestry.
Want to save on shipping costs? Watch the video
We can also deliver your canvas unstretched, rolled-up and placed in a tube for shipping. See here how we package your reproduction. For more information and prices contact us.
Can’t find what you’re looking for?
All reproductions are custom made in our Amsterdam studio. If you are you looking for a specific artwork, a special frame, or you want a different size, feel free to contact us.
About the original artwork
The Orchard
This reproduction on canvas of The Orchard by Théo Van Rysselberghe is made in close cooperation with the Krӧller-Müller Museum, where the original painting is hanging. Théo Van Rysselberghe initially paints in an impressionistic style. That changes in 1886 when he sees Georges Seurat's A Sunday Afternoon on the Island of La Grande Jatte at an exhibition in Paris. This pointillist painting makes such an impression on him that he also begins painting with the pointillist technique, but with a distinctive, free style. In July - before noon is a fine example of that. Here, Van Rysselberghe is mainly concerned with the depiction of the summery atmosphere and the bright light. The five women have no contact with each other and are all engaged in their own activity.
This reinforces the atmosphere of peace and tranquillity on this summer afternoon and lends the scene a timeless character. Van Rysselberghe began this painting in the summer of 1889. The woman in the blue dress in Maria Monnom, with whom he would marry in the autumn. That summer, the Monnom family stayed in Thuin, in southern Belgium. The garden shown here is probably the orchard of the nearby Abbey of Aulne.
Théo van Rysselberghe (1862-1926), The Orchard 1890, Oil on canvas, 115.5x163.5cm, Collection Krӧller-Müller Museum.
This reproduction on canvas of The Orchard by Théo Van Rysselberghe is made in close cooperation with the Krӧller-Müller Museum, where the original painting is hanging. Théo Van Rysselberghe initially paints in an impressionistic style. That changes in 1886 when he sees Georges Seurat's A Sunday Afternoon on the Island of La Grande Jatte at an exhibition in Paris. This pointillist painting makes such an impression on him that he also begins painting with the pointillist technique, but with a distinctive, free style. In July - before noon is a fine example of that. Here, Van Rysselberghe is mainly concerned with the depiction of the summery atmosphere and the bright light. The five women have no contact with each other and are all engaged in their own activity.
This reinforces the atmosphere of peace and tranquillity on this summer afternoon and lends the scene a timeless character. Van Rysselberghe began this painting in the summer of 1889. The woman in the blue dress in Maria Monnom, with whom he would marry in the autumn. That summer, the Monnom family stayed in Thuin, in southern Belgium. The garden shown here is probably the orchard of the nearby Abbey of Aulne.
Théo van Rysselberghe (1862-1926), The Orchard 1890, Oil on canvas, 115.5x163.5cm, Collection Krӧller-Müller Museum.